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Fauré: Requiem, Pelléas et Méllisande, etc / Ozawa, et al

Album Summary

>Fauré, Gabriel : Requiem, Op. 48
>Fauré, Gabriel : Pelléas et Mélisande, Op. 80
>Fauré, Gabriel : Une chateleine en sa tour, Op. 110
>Fauré, Gabriel : Pavane, Op. 50
>Fauré, Gabriel : Dolly, Op. 56
>Fauré, Gabriel : Les berceaux, Op. 23 no 1
>Fauré, Gabriel : Le secret, Op. 23 no 3
>Fauré, Gabriel : Soir, Op. 83 no 2
>Fauré, Gabriel : L'horizon chimérique, Op. 118
>Fauré, Gabriel : Apres un reve, Op. 7 no 1
>Fauré, Gabriel : Elegie for Cello and Orchestra, Op. 24
>Fauré, Gabriel : Nocturne for piano no 4 in E major, Op. 36
>Fauré, Gabriel : Barcarolle for piano no 2 in G major, Op. 41
>Fauré, Gabriel : Masques et bergamasques, suite for orchestra, Op. 112
>Fauré, Gabriel : Cantique de Jean Racine, Op. 11
Performers Conductors Ensembles Composer


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Works Details

>Gabriel Fauré (1845 - 1924) : Requiem, Op. 48
  • Performers: Timothy Farrell (Organ); Kathleen Battle; Andreas Schmidt
  • Conductor: Carlo Giulini
  • Ensemble: Philharmonia Orchestra
  • Running Time: 40 min. 47 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1887-1900

>Gabriel Fauré (1845 - 1924) : Pelléas et Mélisande, Op. 80
  • Performer: Lorraine Hunt Lieberson (Mezzo Soprano)
  • Conductor: Seiji Ozawa
  • Ensemble: Boston Symphony Orchestra
  • Running Time: 12 min. 57 sec.
  • Period Time: Post Romantic
  • Written: 1898

>Gabriel Fauré (1845 - 1924) : Une châteleine en sa tour, Op. 110
  • Performer: Nicanor Zabaleta (Harp)
  • Running Time: 5 min. 5 sec.
  • Period Time: Post Romantic
  • Written: 11/30/1918

>Gabriel Fauré (1845 - 1924) : Pavane, Op. 50
  • Conductor: Seiji Ozawa
  • Ensemble: Boston Symphony Orchestra
  • Running Time: 6 min. 50 sec.
  • Period Time: Post Romantic
  • Written: 1887

>Gabriel Fauré (1845 - 1924) : Dolly, Op. 56
  • Performers: Alfons Kontarsky (Piano); Aloys Kontarsky (Piano)
  • Running Time: 14 min. 11 sec.
  • Period Time: Post Romantic
  • Written: 1893-1896

>Gabriel Fauré (1845 - 1924) : Les berceaux, Op. 23 no 1
  • Performers: Dalton Baldwin (Piano); Gérard Souzay (Baritone)
  • Running Time: 2 min. 53 sec.
  • Period Time: Post Romantic
  • Written: 1879

>Gabriel Fauré (1845 - 1924) : Le secret, Op. 23 no 3
  • Performers: Dalton Baldwin (Piano); Gérard Souzay (Baritone)
  • Running Time: 2 min. 22 sec.
  • Period Time: Post Romantic
  • Written: 07/06/1881

>Gabriel Fauré (1845 - 1924) : Soir, Op. 83 no 2
  • Performers: Dalton Baldwin (Piano); Gérard Souzay (Baritone)
  • Running Time: 2 min. 33 sec.
  • Period Time: Post Romantic
  • Written: 12/17/1894

>Gabriel Fauré (1845 - 1924) : L'horizon chimérique, Op. 118
  • Performers: Dalton Baldwin (Piano); Gérard Souzay (Baritone)
  • Running Time: 6 min. 12 sec.
  • Period Time: Post Romantic
  • Form: Vocal
  • Written: 1921

>Gabriel Fauré (1845 - 1924) : Après un rêve, Op. 7 no 1
  • Performer: Jules Eskin (Cello)
  • Conductor: Seiji Ozawa
  • Ensemble: Boston Symphony Orchestra
  • Running Time: 3 min. 18 sec.
  • Period Time: Post Romantic
  • Written: 1877

>Gabriel Fauré (1845 - 1924) : Elégie for Cello and Orchestra, Op. 24
  • Performer: Jules Eskin (Cello)
  • Conductor: Seiji Ozawa
  • Ensemble: Boston Symphony Orchestra
  • Running Time: 6 min. 51 sec.
  • Period Time: Post Romantic
  • Written: 1880

>Gabriel Fauré (1845 - 1924) : Nocturne for piano no 4 in E major, Op. 36
  • Performer: Pascal Rogé (Piano)
  • Running Time: 7 min. 19 sec.
  • Period Time: Post Romantic
  • Written: 1884

>Gabriel Fauré (1845 - 1924) : Barcarolle for piano no 2 in G major, Op. 41
  • Performer: Pascal Rogé (Piano)
  • Running Time: 6 min. 52 sec.
  • Period Time: Post Romantic
  • Written: 08/1885

>Gabriel Fauré (1845 - 1924) : Masques et bergamasques, suite for orchestra, Op. 112
  • Ensemble: Orpheus Chamber Orchestra
  • Running Time: 14 min. 26 sec.
  • Period Time: Post Romantic
  • Written: 1919

>Gabriel Fauré (1845 - 1924) : Cantique de Jean Racine, Op. 11
  • Performer: James Vivian (Organ)
  • Conductor: Stephen Cleobury
  • Ensemble: King's College Choir, Cambridge
  • Running Time: 5 min. 35 sec.
  • Period Time: Post Romantic
  • Form: Choral
  • Written: 1865