- John Ainsley (Tenor)
- Lorna Anderson (Soprano)
- Michael Chance (Countertenor)
- Gillian Fisher (Soprano)
- Michael George (Bass)
- Ann Murray (Mezzo Soprano)
- Ian Partridge (Tenor)
- Richard Suart (Baritone)
Notes & Reviews:
Gramophone Classical Music Guide
The Fairy Queen hardly an 'opera' in the conventional sense: its musical virtues lie in the composer's uncanny ability to summon a discrete, potent atmosphere whose capacity to move the listener lies outside a sustained dramatic context. The masques draw heavily on vernacular situations and a form of tragicomedy which requires a crafty hand in performance.
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