Quisqueya En El Hudson: Quisqueya en el Hudson: Dominican Music in New York

Track List

>Ya Llegó la Virgen
>Baile de los Palos
>San Miguel
>Dolorita, La
>Suite Folklórica Dominicana
>Mulatona, La
>Manguera, La
>Molde, El
>¡Ay, Mami, Eh!
>Baile del Canguro - (live)
>Tierra Dominicana

Album Notes

Personnel: Luis Días (vocals, guitar, electric guitar); Neri Oilvares, Juan "Coco" DeJesús (vocals, guitar); Claudio Fortunato (vocals, drums); Boni Raposo (vocals, djembe, percussion); Andrea Nolasco "Doña Chicha" Brand (vocals, percussion); Juan Carlos De La Cruz, Willie Lapche, Francia Reyes (vocals); Dawin Lapache (guitar); Joe Pena, Luis Polanco (tres); Canca (tamboura); Chi Chi Espinal (accordion); Juan Comprés (saxophone); Víctor Perdomo (trumpet); Ramon Ortiz (drums); Paco Reyes (congas, maracas); Adriano Fortunado (congas); Miguel Duran, Pedro Fuentes (bongos); Domingo Peña (maracas); Nina Paulino, DeLa Cruz, Francisca, Juan Ramón "Monchy" Alvarez (background vocals).

Audio Mixer: Douglas Rice.

Liner Note Authors: Tom Van Buren; Leonardo Iván Domínguez.

Editor: Carla Borden.

Photographer: Tom Van Buren.

Translators: Carolina Santamaría; Leonardo Iván Domínguez.

Unknown Contributor Roles: Lee Michael Demsey; Ryan Hill.

Arrangers: Claudio Fortunato; Leonardo Iván Domínguez; Boni Raposo.

The Dominican community in the New York area is the biggest outside the Caribbean, and its musical traditions are a big part of its vibrancy. Its annual festival in Washington Heights features Dominican music, and some of the artists who perform at the festival appear here, covering not only the native high-energy meringue, but every aspect of Dominican music, be it the palos of Conjunto Folklorico de Alianza Dominicana or the son of Coco Merenson. A lot of this music is folkloric, as befits the Smithsonian Folkways label, but it's never less than marvelously entertaining, like the salve of Francia Reyes, where the vocals rise effortlessly above the drums. "La Multona," from Neri Olivares, features a scintillating, delicate play of melody, showing how Dominicans have developed the Cuban son into their own art form. But don't be misled by the techno-bachata tag on Luis Dias' "La Manguera"; it has nothing to do with electronic music (although Dias does also play bachata-rock in addition to this slower, gentler sound). There's no doubting the dance appeal of the accordion-led meringue tracks. Franklyn Hernandez is masterful on them, leading an ensemble (with a terrific sax player) through the adrenalized workouts. This album doesn't claim to be a complete representation of the Dominican musical experience in New York, by any means -- but it'll do for a start. ~ Chris Nickson


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