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Partenope, HWV 27 - Act III Scene 1: Sinfonia | |
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Partenope, HWV 27 - Act III Scene 1: Regina ti compiace (Is it your Will, great Queen) (Armindo, Partenope, Arsace, Emilio) | |
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Partenope, HWV 27 - Act III Scene 1: Non e incauto il mio consiglio (I harbour no uncautious Thought) (Armindo, Emilio, Arsace, Partenope) | |
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Partenope, HWV 27 - Act III Scene 2: Partenope, Eurimene (To you, Parthenope, see Eurimenes) (Rosmira, Partenope, Arsace, Armindo, Emilio) | |
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Partenope, HWV 27 - Act III Scene 2: Arsace, oh Dio! cosi (This was Arsaces' guilty Part) (Rosmira) | |
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Partenope, HWV 27 - Act III Scene 2: Chi m' apre i lumi, e che mi scioglie il Core? (What Power has undeceived me, and unchained My captive Heart?) (Partenope, Emilio, Armindo) | |
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Partenope, HWV 27 - Act III Scene 2: Spera e godi o mio Tesoro (Joys attend my dearest Treasure) (Partenope) | |
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Partenope, HWV 27 - Act III Scene 3: Prencipe ardir (Now, Prince, be resolute) (Emilio, Armindo, Rosmira, Arsace) | |
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Partenope, HWV 27 - Act III Scene 3: La Speme ti consoli (May pleasing Hope your Cares control) (Emilio) | |
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Partenope, HWV 27 - Act III Scene 4: Rosmira, ove ti guida (Where, my Rosmira, does thay Tyrant rage?) (Arsace, Rosmira) | |
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Partenope, HWV 27 - Act III Scene 4: Ch' Io parta? si crudele (And must I, cruel Maid, depart?) (Arsace) | |
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Partenope, HWV 27 - Act III Scene 4: Oh Dio! perche dal petto (Oh Heavens! methinks I feel my struggling Heart) (Rosmira) | |
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Partenope, HWV 27 - Act III Scene 4: Quel volto mi piace (His lovely Frame my Fancy charms) (Rosmira) | |
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Partenope, HWV 27 - Act III Scene 5: Ormonte, ti destino (Ormontes, you I constitute the Judge) (Partenope, Ormonte, Armindo) | |
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Partenope, HWV 27 - Act III Scene 5: Nobil Core, che ben ama (A noble Heart that fondly loves) (Armindo) | |
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Partenope, HWV 27 - Act III Scene 6: Non chiedo, oh miei tormenti! (I ask ye not, ye Woes I bear) (Arsace) | |
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Partenope, HWV 27 - Act III Scene 6: Ma quai note di mesti lamenti (What Notes that mourn in such a solemn Sound) (Arsace) | |
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Partenope, HWV 27 - Act III Scene 7: Cieli che miro! abbandonato e solo (Heavens! What do I behold!) (Rosmira) | |
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Partenope, HWV 27 - Act III Scene 8: Ma Partenope vien, finger degg' Io (Parthenope approaches, I must feign) (Rosmira, Partenope, Arsace) | |
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Partenope, HWV 27 - Act III Scene 8: Un Cor infedele (The Heart whose Love was never true) (Partenope, Arsace, Rosmira) | |
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Partenope, HWV 27 - Act III Scene 8: Passo di duolo in duolo (From Grief to Grief I make my fatal Progress) (Arsace) | |
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Partenope, HWV 27 - Act III Scene 8: Fatto e Amor un Dio d' Inferno (Tyrannick Love is justly made A God of the Infernal Shade) (Arsace) | |
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Partenope, HWV 27 - Act III Scene 9: Di bel Desire avvampo (I'm all impatient to defend Arsaces) (Emilio, Armindo) | |
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Partenope, HWV 27 - Act III Scene 9: La Gloria in nobil alma (True Glory in a gallant Breast) (Emilio) | |
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Partenope, HWV 27 - Act III Scene 9: Sinfonia | |
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Partenope, HWV 27 - Act III Last Scene: Regina, in queste arene (Great Queen) (Ormonte, Partenope, Emilio, Rosmira, Armindo, Arsace) | |
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Partenope, HWV 27 - Act III Last Scene: Si scherza si (Love wantons with a double Flame) (Partenope) | |
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Partenope, HWV 27 - Act III Last Scene: Armindo sia mio Sposo (Armindo, I receive you for my Spouse) (Partenope, Armindo, Arsace, Rosmira) | |
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Partenope, HWV 27 - Act III Last Scene: D' Imeneo le belle Sede (May Hymen's lovely Taper blaze) (Chorus) | |
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Partenope, HWV 27 - Act I Scene 13: Prence, di te mi lagno (Ah Prince! with Reason I reproach your Conduct) (Armindo, Rosmira) | |
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Partenope, HWV 27 - Act I Scene 13: Io seguo sol fiero (My Genius leads me to the Glades) (Rosmira) |
Album Summary
Handel, George Frideric : Partenope
Stephen Wallace (Countertenor)
Rosemary Joshua (Soprano)
Andrew Foster-Williams (Bass Baritone)
Lawrence Zazzo (Countertenor)
Kurt Streit (Tenor)
Notes & Reviews:
"...Christian Curnyn has as infallible a sense of tempo and musico-dramatic shape - in individual numbers, in whole scenes and acts - as the composer himself. The orchestral playing is light-fingered, colorful and sprightly, and the company commands a roster of the best singers among the younger generation of Handelians." - The Times
Penguin Guide
Central to the success of Christan Curnyn's well-paced performance is the glorious singing of Rosemary Joshua in the title-role of Partenope...Handsomely packaged, with each of the three Acts complete on a single disc, it is among the most attractive of rarities among Handel operas.
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Works Details
Handel, George Frideric : Partenope - Performers: Stephen Wallace (Countertenor); Rosemary Joshua (Soprano); Andrew Foster-Williams (Bass Baritone); Lawrence Zazzo (Countertenor); Kurt Streit (Tenor)
- Conductor: Christian Curnyn
- Ensemble: Early Opera Company
- Notes: All Saints' Church, East Finchley, London, England (11/15/2004-11/19/2004)
- Running Time: 6 min. 32 sec.
- Period Time: Baroque
- Form: Opera/Operetta
- Written: 1730



























