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Clemencic - Gothic and Renaissance Masterworks / Clemencic

Album Summary

>Cabezón, Antonio de : Ardenti miei suspiri (after Verdelot)
>Cabezón, Antonio de : Ultimi miei suspiri (after Verdelot)
>Cabezón, Antonio de : Prenes pitie, for keyboard (after Crecquillon)
>Cabezón, Antonio de : Queramus. Moton con 2 y 3 parte
>Cabezón, Antonio de : Tiento II cuarto tono
>Cabezón, Antonio de : Tiento XVII sobre Malheur me bat (Oratio)
>Cabezón, Antonio de : Tiento del Sexto Tono (con primera y segunda parte), for keyboard
>Cabezón, Antonio de : Composiciones a dos partes
>Cabezón, Antonio de : Quatro Kiryes de nuestra Senora
>Cabezón, Antonio de : Duo no 4 (Ave maris stella), for keyboard
>Cabezón, Antonio de : Duo no 5 (Ave maris stella), for keyboard
>Cabezón, Antonio de : Dos Ave maris stellas. Lleva el canto llano el triple
>Cabezón, Antonio de : Ave maris stella con 3 diferencias, for keyboard
>Cabezón, Antonio de : Duo no 3 (Ave maris stella), for keyboard
>Cabezón, Antonio de : Diferencias sobre la Pavana Italiana, for keyboard
>Cabezón, Antonio de : Diferencias sobre el canto "De quien teme enojo Isabel", for keyboard
>Cabezón, Antonio de : Inviolata, integra et casta es, Maria, for keyboard (after Josquin Desprez)
>Cabezón, Antonio de : Inviolata no 1, for keyboard (after Josquin Desprez)
>Cabezón, Antonio de : Inviolata no 2, for keyboard (after Josquin Desprez)
>Cabezón, Antonio de : Inviolata no 3, for keyboard (after Josquin Desprez)
>Cabezón, Antonio de : Benedicta es coelorum Regina con segunda y tercera parte (after Josquin)
>Cabezón, Antonio de : Ave Maria Jusquin (after Josquin)
>Cabezón, Antonio de : Stabat mater dolorosa, for keyboard (after Josquin Desprez)
>Cabezón, Antonio de : Stabat mater no 1, for keyboard (after Josquin Desprez)
>Cabezón, Antonio de : Stabat mater no 2, for keyboard (after Josquin Desprez)
>Cabezón, Antonio de : Benedictus de la missa del home arme.Jusquin
Performer Composer

Notes & Reviews:

The clavichord used for this recording, from the collection of Rene Clemencic, is an original from ca.1680-1750. Rene Clemencic is a composer, conductor, harpsichorist, recorder & clavichord virtuoso, musicologist, and founder & leader of one of the most renowned early music groups, the Clemencic Consort.



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Works Details

>Antonio de Cabezón (circa 1510 - 1566) : Ardenti miei suspiri (after Verdelot)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 5 min. 23 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Ultimi miei suspiri (after Verdelot)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 4 min. 44 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Prenes pitié, for keyboard (after Crecquillon)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 3 min. 39 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Queramus. Moton con 2 y 3 parte
  • Performer: René Clemencic (Clavichord)
  • Running Time: 8 min. 26 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Tiento II cuarto tono
  • Performer: René Clemencic (Clavichord)
  • Running Time: 1 min. 37 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Tiento XVII sobre Malheur me bat (Oratio)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 2 min. 36 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Tiento del Sexto Tono (con primera y segunda parte), for keyboard
  • Performer: René Clemencic (Clavichord)
  • Running Time: 8 min. 4 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Composiciones a dos partes
  • Performer: René Clemencic (Clavichord)
  • Running Time: 1 min. 40 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Quatro Kiryes de nuestra Señora :: Intermedios
  • Performer: René Clemencic (Clavichord)
  • Running Time: 2 min. 46 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Duo no 4 (Ave maris stella), for keyboard
  • Performer: René Clemencic (Clavichord)
  • Running Time: 2 min. 18 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Duo no 5 (Ave maris stella), for keyboard
  • Performer: René Clemencic (Clavichord)
  • Running Time: 2 min. 9 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Dos Ave maris stellas. Lleva el canto llano el triple :: Ave maris stella
  • Performer: René Clemencic (Clavichord)
  • Running Time: 3 min. 37 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Antonio de Cabezón (circa 1510 - 1566) : Ave maris stella con 3 diferencias, for keyboard
  • Performer: René Clemencic (Clavichord)
  • Running Time: 2 min. 22 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Duo no 3 (Ave maris stella), for keyboard
  • Performer: René Clemencic (Clavichord)
  • Running Time: 1 min. 50 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Diferencias sobre la Pavana Italiana, for keyboard
  • Performer: René Clemencic (Clavichord)
  • Running Time: 3 min. 33 sec.
  • Period Time: Renaissance
  • Written: 1550s

>Antonio de Cabezón (circa 1510 - 1566) : Diferencias sobre el canto "De quien teme enojo Isabel", for keyboard
  • Performer: René Clemencic (Clavichord)
  • Running Time: 6 min. 53 sec.
  • Period Time: Renaissance
  • Form: Vocal

>Antonio de Cabezón (circa 1510 - 1566) : Inviolata, integra et casta es, Maria, for keyboard (after Josquin Desprez)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 5 min. 2 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Inviolata no 1, for keyboard (after Josquin Desprez)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 4 min. 13 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Inviolata no 2, for keyboard (after Josquin Desprez)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 2 min. 47 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Inviolata no 3, for keyboard (after Josquin Desprez)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 2 min. 38 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Benedicta es coelorum Regina con segunda y tercera parte (after Josquin)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 7 min. 36 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Ave Maria Jusquin (after Josquin)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 6 min. 8 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Stabat mater dolorosa, for keyboard (after Josquin Desprez)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 6 min. 2 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Stabat mater no 1, for keyboard (after Josquin Desprez)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 6 min. 9 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Stabat mater no 2, for keyboard (after Josquin Desprez)
  • Performer: René Clemencic (Clavichord)
  • Running Time: 6 min. 9 sec.
  • Period Time: Renaissance

>Antonio de Cabezón (circa 1510 - 1566) : Benedictus de la missa del home arme.Jusquin
  • Performer: René Clemencic (Clavichord)
  • Running Time: 2 min. 23 sec.
  • Period Time: Renaissance
  • Form: Choral