Album Summary
Schütz, Heinrich : Meine Seele erhebt den Herren, SWV 426 "German Magnificat"
Schütz, Heinrich : Herr, nun lassest du deinen Diener, for soprano, alto, 2 tenors, bass & continuo ad lib, SWV 432-433
Schütz, Heinrich : Herr, nun lassest du deinen Diener, motet for bass, 2 violins & continuo, SWV 352 (Op. 10/12) (2 ver
Schütz, Heinrich : Vater unser, der du bist im Himmel, motet for soprano, mezzo-soprano, 2 tenors, bass, 2 violins & co
Schütz, Heinrich : Musikalische Exequien (Funeral Music), for double chorus & continuo, SWV 279-281 (Op. 7)
Simon Birchall
Nicholas Robertson (Tenor)
Libby Crabtree (Soprano)
Matthew Vine (Tenor)
Robert Evans (Bass-Baritone)
Timothy Jones (Bass-Baritone)
Jonathan Brown (Bass)
Jonathan Arnold (Bass)
Carolyn Sampson (Soprano)
Francis Steele (Bass)
Ruth Dean (Soprano)
Sally Dunkley (Soprano)
Lisa Beckley (Soprano)
James Gilchrist (Tenor)
Rebecca Outram (Soprano)
Notes & Reviews:
To date The Sixteen and the Symphony of Harmony and Invention have made over 90 recordings, many award-winning, in a range of work spanning the music of 600 years, rediscovering and performing lost and little-known repertoire. From the devastation of Saxony in the Thirty Years War comes this very individual Requiem, first performed at the funeral of the aristocrat Heinrich Posthumus Reuss in 1636. The texts were engraved on his coffin in advance and the Prince, being a keen singer and not wishing to miss his own funeral music, took part in performances of the first part of it during his lifetime.
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Works Details
Heinrich Schütz (1585 - 1672) : Meine Seele erhebt den Herren, SWV 426 "German Magnificat" - Conductor: Harry Christophers
- Ensemble: Symphony of Harmony & Invention
- Notes: St Augustine's Church, Kilburn Park Road, London, England (06/15/1998-06/17/1998)
- Running Time: 6 min. 44 sec.
- Period Time: Baroque
Heinrich Schütz (1585 - 1672) : Herr, nun lässest du deinen Diener, for soprano, alto, 2 tenors, bass & continuo ad lib, SWV 432-433 - Conductor: Harry Christophers
- Ensemble: Symphony of Harmony & Invention
- Notes: St Augustine's Church, Kilburn Park Road, London, England (06/15/1998-06/17/1998)
- Running Time: 3 min. 37 sec.
- Period Time: Baroque
Heinrich Schütz (1585 - 1672) : Herr, nun lässest du deinen Diener, motet for bass, 2 violins & continuo, SWV 352 (Op. 10/12) (2 ver - Performer: Simon Birchall
- Conductor: Harry Christophers
- Ensemble: Symphony of Harmony & Invention
- Notes: St Augustine's Church, Kilburn Park Road, London, England (06/15/1998-06/17/1998)
- Running Time: 4 min. 5 sec.
- Period Time: Baroque
Heinrich Schütz (1585 - 1672) : Herr, nun lässest du deinen Diener, for soprano, alto, 2 tenors, bass & continuo ad lib, SWV 432-433 - Conductor: Harry Christophers
- Ensemble: Symphony of Harmony & Invention
- Notes: St Augustine's Church, Kilburn Park Road, London, England (06/15/1998-06/17/1998)
- Running Time: 3 min. 7 sec.
- Period Time: Baroque
Heinrich Schütz (1585 - 1672) : Vater unser, der du bist im Himmel, motet for soprano, mezzo-soprano, 2 tenors, bass, 2 violins & co - Performers: Nicholas Robertson (Tenor); Libby Crabtree (Soprano); Matthew Vine (Tenor); Simon Birchall
- Conductor: Harry Christophers
- Ensemble: Symphony of Harmony & Invention
- Notes: St Augustine's Church, Kilburn Park Road, London, England (06/15/1998-06/17/1998)
- Running Time: 4 min. 53 sec.
- Period Time: Baroque
Heinrich Schütz (1585 - 1672) : Musikalische Exequien (Funeral Music), for double chorus & continuo, SWV 279-281 (Op. 7) - Performers: Nicholas Robertson (Tenor); Libby Crabtree (Soprano); Robert Evans (Bass-Baritone); Timothy Jones (Bass-Baritone); Jonathan Brown (Bass); Jonathan Arnold (Bass); Carolyn Sampson (Soprano); Francis Steele (Bass); Ruth Dean (Soprano); Simon Birchall; Sally Dunkley (Soprano); Lisa Beckley (Soprano); James Gilchrist (Tenor); Rebecca Outram (Soprano)
- Conductor: Harry Christophers
- Ensemble: Symphony of Harmony & Invention
- Notes: St Augustine's Church, Kilburn Park Road, London, England (06/15/1998-06/17/1998)
- Running Time: 27 min. 39 sec.
- Period Time: Baroque
- Form: Choral




























