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The Da Vinci Collection

Album Summary

>Dufay, Guillaume : Missa L'Homme arme, for 4 voices
>Dufay, Guillaume : Ce moys de may, rondeau for 3 voices
>Ockeghem, Johannes : Ma bouche rit, chanson for 3 voices
>Ockeghem, Johannes : Missa prolationum, for 4 voices
>Desprez, Josquin : Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts
>Desprez, Josquin : Scaramella va alla guerra, song for 4 parts
>Desprez, Josquin : El grillo, song for 4 parts
>Desprez, Josquin : La plus des plus, song for 3 parts
>Isaac, Heinrich : Missa Paschalis (i), mass for 4 voices
>Isaac, Heinrich : Es wolt ein Meydlein grasen gan, song for 4 voices
>Escobar, Pedro de : Requiem
>Peñalosa, Francisco de : Inter vestibulum et altare
>Encina, Juan del : Triste Espana sin ventura, cancionero for 4 voices
>Henry VIII, King of England : En vray amoure, for 4 voices
>Henry VIII, King of England : Pastyme with Good Companye for 3 voices
>de Milan, Luis : Fantasia for vihuela No 11
>Carver, Robert : O Bone Jesu, motet for 19 voices
>Milano, Francesco da : Spagna
>Tallis, Thomas : Spem in alium
Performers Ensembles Composers


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Works Details

>Dufay, Guillaume : Missa L'Homme armé, for 4 voices :: Kyrie
  • Performers: David James (Countertenor); Michael Chance (Countertenor); Rogers Covey-Crump (Tenor); Charles Daniels (Voice); Michael George (Bass Baritone); Paul Hillier (Bass); Leigh Nixon (Tenor); John Potter
  • Ensemble: The Hilliard Ensemble
  • Notes: Temple Church, London, England (01/07/1986-01/09/1986)
  • Running Time: 4 min. 10 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1460

>Dufay, Guillaume : Ce moys de may, rondeau for 3 voices
  • Performers: David Munrow (Sopranino Recorder); Martin Hill (Descant); Charles Brett (Countertenor); Eleanor Sloan (Fiddle); Geoffrey Shaw (Bass-Baritone); James Tyler (Citole); Oliver Brookes (Descant); David Corkhill (Tambourine); Alan Lumsden (Descant)
  • Ensemble: Early Music Consort of London
  • Running Time: 2 min. 39 sec.
  • Period Time: Renaissance

>Ockeghem, Johannes : Ma bouche rit, chanson for 3 voices
  • Performers: Trevor Jones (Tenor Violin); James Tyler (Lute); James Bowman (Countertenor); Christopher Hogwood (Harp); Nigel North (Lute)
  • Ensemble: Early Music Consort of London
  • Running Time: 5 min. 51 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1450-1480

>Ockeghem, Johannes : Missa prolationum, for 4 voices :: Agnus Dei I
  • Performers: Ashley Stafford (Countertenor); David James (Countertenor); David Beavan (Bass); Rogers Covey-Crump (Tenor); Paul Hillier (Bass); Gordon Jones (Baritone); Mark Padmore; John Potter
  • Ensemble: The Hilliard Ensemble
  • Running Time: 2 min. 6 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1450-1480

>Desprez, Josquin : Nymphes des bois/Requiem aeternam/Deploration de la Mort de Jehan Ockeghem, lament for 5 parts
  • Performers: David James (Countertenor); Paul Elliot; Rogers Covey-Crump (Tenor); Michael George (Bass Baritone); Paul Hillier (Bass); Leigh Nixon (Tenor)
  • Ensemble: The Hilliard Ensemble
  • Notes: Temple Church, London, England (02/14/1983-02/16/1983)
  • Running Time: 5 min. 52 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1497

>Desprez, Josquin : Scaramella va alla guerra, song for 4 parts
  • Performers: David Munrow; Andrew Van Der Beek (Alto Recorder); Geoffrey Shaw (Bass-Baritone); James Bowman (Countertenor); David Corkhill (Tambourine); Martyn Hill; Christopher Hogwood (Harp); Alan Lumsden (Alto Recorder)
  • Ensemble: Early Music Consort of London
  • Running Time: 2 min. 13 sec.
  • Period Time: Renaissance
  • Written: circa 1475-1520

>Desprez, Josquin : El grillo, song for 4 parts
  • Performers: Geoffrey Shaw (Bass-Baritone); Paul Elliot; James Bowman (Countertenor); Martyn Hill
  • Ensemble: Early Music Consort of London
  • Running Time: 1 min. 47 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: circa 1505

>Desprez, Josquin : La plus des plus, song for 3 parts
  • Performers: Gerd Türk (Tenor); Eugene Ferre (Lute)
  • Ensemble: Ensemble Gilles Binchois
  • Notes: Pigna Auditorium, Corsica, France (06/12/2000-06/16/2000)
  • Running Time: 7 min. 49 sec.
  • Period Time: Renaissance
  • Written: 1501

>Isaac, Heinrich : Missa Paschalis (i), mass for 4 voices :: Sanctus
  • Performers: David James (Countertenor); Charles Toet (Trombone); Bruce Dickey (Cornet); Richard Lister (Bass Trombone); Paul Elliot; Paul Hillier (Bass)
  • Ensemble: The Hilliard Ensemble
  • Notes: Doopsgezinde Church, Amsterdam, The Netherlands (12/12/1981-12/18/1981)
  • Running Time: 4 min. 29 sec.
  • Period Time: Renaissance
  • Form: Choral

>Isaac, Heinrich : Es wolt ein Meydlein grasen gan, song for 4 voices
  • Performers: David James (Countertenor); Paul Elliot; Paul Hillier (Bass); Leigh Nixon (Tenor)
  • Ensemble: The Hilliard Ensemble
  • Notes: Doopsgezinde Church, Amsterdam, The Netherlands (12/12/1981-12/18/1981)
  • Running Time: 1 min. 14 sec.
  • Period Time: Renaissance

>Escobar, Pedro de : Requiem :: Offertorium
  • Performers: Philippe Balloy (Bass); Eric Themolieres (Voice); Akira Tachikawa (Countertenor); Christophe Einhorn (Tenor); Jacques Bona (Baritone); Hervé Lamy; Dominique Vellard (Voice); Carlos Mena (Countertenor)
  • Ensemble: Ensemble Gilles Binchois
  • Notes: Abbaye de Saint-Michel en Thièrache (09/06/1997-09/09/1997)
  • Running Time: 7 min. 53 sec.
  • Period Time: Renaissance
  • Form: Choral

>Francisco de Peñalosa (1470 - 1528) : Inter vestibulum et altare
  • Performers: Philippe Balloy (Bass); Eric Themolieres (Voice); Akira Tachikawa (Countertenor); Christophe Einhorn (Tenor); Jacques Bona (Baritone); Hervé Lamy; Dominique Vellard (Voice); Carlos Mena (Countertenor)
  • Ensemble: Ensemble Gilles Binchois
  • Notes: Abbaye de Saint-Michel en Thièrache (09/06/1997-09/09/1997)
  • Running Time: 2 min. 28 sec.
  • Period Time: Renaissance
  • Form: Choral
  • Written: 1508-1528

>Encina, Juan del : Triste España sin ventura, cancionero for 4 voices
  • Performers: James Tyler (Tenor Violin); James Bowman (Countertenor); Martyn Hill
  • Ensemble: Early Music Consort of London
  • Notes: EMI Abbey Road Studios, London, England (05/30/1972-05/31/1972)
  • Running Time: 1 min. 59 sec.
  • Period Time: Renaissance

>Henry VIII, King of England : En vray amoure, for 4 voices
  • Performers: Richard Erig (Recorder); Michel Piguet (Recorder); Nils Ferber (Recorder); Gabriel Garrido (Recorder)
  • Ensemble: Ricercare-Ensemble für Alte Musik, Zürich
  • Running Time: 1 min. 7 sec.
  • Period Time: Renaissance

>Henry VIII, King of England : Pastyme with Good Companye for 3 voices
  • Performers: Nigel Vocal] (Tenor); James Bowman (Countertenor); Jordi Savall (Vielle)
  • Ensemble: Ricercare-Ensemble für Alte Musik, Zürich
  • Running Time: 1 min. 55 sec.
  • Period Time: Renaissance
  • Written: circa 1600

>Luis de Milán (Renaissance Composer) (circa 1500 - circa 1561) : Fantasía for vihuela No 11
  • Performer: James Tyler (Vihuela)
  • Notes: EMI Abbey Road Studios, London, England (05/30/1972-05/31/1972)
  • Running Time: 2 min. 51 sec.
  • Period Time: Renaissance
  • Written: 1536

>Carver, Robert : O Bone Jesu, motet for 19 voices
  • Running Time: 11 min. 10 sec.
  • Period Time: Renaissance
  • Form: Choral

>Milano, Francesco da : Spagna
  • Performers: Hopkinson Smith (Lute); Paul O'Dette (Lute)
  • Notes: Evangelical Church, Seon, Switzerland (06/05/1978-06/07/1978)
  • Running Time: 1 min. 39 sec.
  • Period Time: Renaissance

>Tallis, Thomas : Spem in alium
  • Performers: Alan Wilson (Organ); Wim Becu (Sackbut); Paul Nicholson (Organ)
  • Running Time: 10 min. 25 sec.
  • Period Time: Renaissance
  • Written: circa 1567