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Best Baroque 100

Album Summary

>Handel, George Frideric : Coronation Anthems (4)
>Clarke, Jeremiah : Suite in D major
>Dowland, John : Pavan for Keyboard "Lachrymae"
>Purcell, Henry : Abdelazer, Z 570 "Moor's Revenge"
>Tallis, Thomas : Spem in alium
>Byrd, William : With lilies white
>Purcell, Henry : Dido and Aeneas, Z 626
>Purcell, Henry : Come, ye sons of art, away, Z 323
>Purcell, Henry : O solitude, my sweetest choice, Z 406
>Handel, George Frideric : Solomon, HWV 67
>Handel, George Frideric : Messiah, HWV 56, Oratorio
>Handel, George Frideric : Water Music Suite no 2 in D major, HWV 349
>Cavalli, Francesco : Xerse
>Handel, George Frideric : Dixit Dominus, HWV 232
>Handel, George Frideric : Giulio Cesare, HWV 17
>Handel, George Frideric : Alcina, HWV 34
>Monteverdi, Claudio : L'Orfeo
>Monteverdi, Claudio : Madrigals, Book 8
>Monteverdi, Claudio : Beatus vir a 7
>Monteverdi, Claudio : L'Incoronazione di Poppea
>Albinoni, Tomaso : Adagio for Organ and Strings in G minor
>Allegri, Gregorio : Miserere mei Deus
>Gabrieli, Giovanni : Sacrae symphoniae, Book 1
>Vivaldi, Antonio : Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate"
>Vivaldi, Antonio : Gloria in D major, RV 589
>Marcello, Alessandro : Concerto for Oboe in D minor
>Boccherini, Luigi : Quintet for Guitar and Strings no 7 in E minor, G 451
>Scarlatti, Domenico : Sonata for Harpsichord in D minor, K 9/L 413
>Pergolesi, Giovanni : Stabat Mater
>Vivaldi, Antonio : Concerto for 2 Mandolins in G major, RV 532
>Lotti, Antonio : Crucifixus
>Tartini, Giuseppe : Sonata for Violin and Basso Continuo in G minor, Op. 1 no 4 "Devil's Trill"
>Vivaldi, Antonio : Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera"
>Vivaldi, Antonio : Concerto for Piccolo in C major, RV 444
>Soler, Antonio : Fandango for Keyboard
>Victoria, Tomás Luis de : O vos omnes, qui transitis per viam
>Coll, Antonio Martín y : Diferencias sobre las Folias
>Anonymous : Ay luna que reluzes
>Mudarra, Alonso de : Tres libros de musica en cifras
>Bomtempo, Joao Domingos : Messe de Requiem
>Philidor, François-André Danican : Marche de triomphe
>Lully, Jean-Baptiste : Marche des mousquetaires
>Francoeur, François : Symphonies du Festin Royal
>Charpentier, Marc-Antoine : Marche de triomphe in C major, H 547 no 1
>Delalande, Michel-Richard : Sinfonies pour les soupers du roi
>Dauvergne, Antoine : Chaconne
>Charpentier, Marc-Antoine : Te Deum in D major, H 146
>Couperin, François : Mass for Organ no 2 "propre pour les convents de religeux..."
>Charpentier, Marc-Antoine : Regina coeli laetare, H 30
>Clérambault, Louis-Nicolas : Panis angelicus
>Rameau, Jean-Philippe : In convertendo
>du Buisson, Lambert : Plainte sur la mort de Monsieur Lambert
>Visée, Robert de : Suite in C minor
>Rameau, Jean-Philippe : Tambourins
>Marais, Marin : Pièces de viole, Book 3
>Philidor, François-André Danican : Canon de Versailles
>Lully, Jean-Baptiste : Isis, LWV 54
>Rameau, Jean-Philippe : Les Indes galantes
>Pachelbel, Johann : Canon and Gigue for 3 Violins and Basso Continuo in D major
>Buxtehude, Dietrich : Canzonetta for Organ in A minor, BuxWV 225
>Monn, Mathias Georg : Concerto for Cello in G minor
>Bach, Johann Sebastian : Herz und Mund und Tat und Leben, BWV 147
>Bach, Johann Sebastian : Suite for Orchestra no 3 in D major, BWV 1068
>Bach, Johann Sebastian : Concerto for 4 Harpsichords in A minor, BWV 1065
>Bach, Johann Sebastian : Toccata and Fugue in D minor, BWV 565
>Bach, Johann Sebastian : Jauchzet Gott in allen Landen, BWV 51
>Telemann, Georg Philipp : Concerto for Oboe in F minor
>Bach, Johann Sebastian : Wir danken dir, Gott, BWV 29
>Bach, Johann Sebastian : Goldberg Variations, BWV 988
>Bach, Johann Sebastian : Saint John Passion, BWV 245
>Bach, Johann Sebastian : Brandenburg Concerto no 4 in G major, BWV 1049
>Bach, Johann Sebastian : Suite for Cello solo no 1 in G major, BWV 1007
>Bach, Johann Sebastian : Magnificat in D major, BWV 243
>Bach, Johann Sebastian : Concerto for Harpsichord in F minor, BWV 1056
>Bach, Johann Sebastian : Sonata for Flute and Harpsichord in E flat major, BWV 1031
>Bach, Johann Sebastian : Suite for Orchestra no 4 in D major, BWV 1069
>Bach, Johann Sebastian : Partita for Violin solo no 3 in E major, BWV 1006
>Bach, Johann Sebastian : Brandenburg Concerto no 2 in F major, BWV 1047
>Bach, Johann Sebastian : Mass in B minor, BWV 232
>Bach, Johann Sebastian : Well-Tempered Clavier, Book 1, BWV 846-869
>Bach, Johann Sebastian : Concerto for 2 Violins in D minor, BWV 1043
>Bach, Johann Sebastian : Suite for Lute in E minor, BWV 996
>Bach, Johann Sebastian : Suite for Orchestra no 2 in B minor, BWV 1067
>Bach, Johann Sebastian : Partita for Keyboard no 1 in B flat major, BWV 825
>Bach, Wilhelm Friedemann : Sonata for Harpsichord in G major, F 7
>Bach, Carl Philipp Emanuel : Concerto for Cello no 3 in A major, Wq 172/H 439
>Bach, Carl Philipp Emanuel : Auferstehung und Himmelfahrt Jesu, Wq 240/H 777
>Bach, Carl Philipp Emanuel : Auferstehung und Himmelfahrt Jesu, oratorio for 3 voices, chorus, orchestra & continuo, H. 777, Wq.
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Works Details

>Handel, George Frideric : Coronation Anthems (4) :: no 1, HWV 258 "Zadok the priest"
  • Conductor: Stephen Cleobury
  • Ensemble: King's College Choir, Cambridge
  • Period Time: Baroque
  • Form: Choral
  • Written: 1727
  • Studio/Live: Studio

>Clarke, Jeremiah : Suite in D major :: Prince of Denmark's March "Trumpet Voluntary"hick
  • Performer: Crispian Steele-Perkins (Trumpet)
  • Conductor: Richard Hickox
  • Ensemble: City of London Baroque Sinfonia
  • Period Time: Baroque
  • Written: by 1700
  • Studio/Live: Studio

>Dowland, John : Pavan for Keyboard "Lachrymae"
  • Ensemble: Fretwork
  • Period Time: Renaissance
  • Studio/Live: Studio

>Purcell, Henry : Abdelazer, Z 570 "Moor's Revenge" :: Rondeau
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Consort & Players
  • Period Time: Baroque
  • Written: 1695
  • Studio/Live: Studio

>Tallis, Thomas : Spem in alium
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Consort
  • Period Time: Renaissance
  • Form: Choral
  • Written: after 1559
  • Studio/Live: Studio

>Byrd, William : With lilies white
  • Performers: Gérard Lesne (Countertenor); Gérard Lesne (Countertenor)
  • Ensemble: Orlando Gibbons Viol Ensemble
  • Period Time: Renaissance
  • Form: Vocal
  • Written: circa 1608
  • Studio/Live: Studio

>Purcell, Henry : Dido and Aeneas, Z 626 :: Overture
  • Performers: Susan Graham (Mezzo Soprano); Susan Graham (Mezzo-soprano)
  • Conductor: Emmanuelle Haïm
  • Ensemble: Le Concert d'Astrée
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 1689
  • Studio/Live: Studio

>Purcell, Henry : Dido and Aeneas, Z 626 :: Excerpt(s)
  • Performers: Susan Graham (Mezzo Soprano); Susan Graham (Mezzo-soprano)
  • Conductor: Emmanuelle Haïm
  • Ensemble: European Voices
  • Period Time: Baroque
  • Form: Opera/Operetta
  • Written: 1689
  • Studio/Live: Studio

>Purcell, Henry : Come, ye sons of art, away, Z 323 :: Sound the trumpet
  • Performers: James Bowman (Countertenor); Christopher Robson (Countertenor); James Bowman (Countertenor)
  • Conductor: Gustav Leonhardt
  • Period Time: Baroque
  • Written: 1694
  • Studio/Live: Studio

>Purcell, Henry : O solitude, my sweetest choice, Z 406
  • Performers: Paul Nicholson (Organ); Nancy Argenta (Soprano); Richard Boothby (Viol); Paul Nicholson (Harpsichord); Paul Nicholson (Organ); Nigel North (Lute); Paul Nicholson (Harpsichord)
  • Period Time: Baroque
  • Form: Vocal
  • Written: by 1687
  • Studio/Live: Studio

>Handel, George Frideric : Solomon, HWV 67 :: Arrival of the Queen of Sheba
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Players
  • Period Time: Baroque
  • Form: Orchestral
  • Written: by 1749
  • Studio/Live: Studio

>Handel, George Frideric : Messiah, HWV 56, Oratorio :: Hallelujah!
  • Performers: James Bowman (Countertenor); James Bowman (Countertenor)
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Choir
  • Period Time: Baroque
  • Form: Choral
  • Written: 1742
  • Studio/Live: Studio

>Handel, George Frideric : Messiah, HWV 56, Oratorio :: He was despised and rejected
  • Performers: James Bowman (Countertenor); James Bowman (Countertenor)
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Choir
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1742
  • Studio/Live: Studio

>Handel, George Frideric : Water Music Suite no 2 in D major, HWV 349 :: no 2, Alla Hornpipe
  • Conductor: Roger Norrington
  • Ensemble: London Classical Players
  • Period Time: Baroque
  • Written: circa 1715-1717
  • Studio/Live: Studio

>Cavalli, Francesco : Xerse :: Ombra mai fu
  • Performers: James Bowman (Countertenor); Christopher Robson (Countertenor); David Daniels (Countertenor)
  • Conductor: Roger Norrington
  • Ensemble: Orchestra of the Age of Enlightenment
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1654
  • Studio/Live: Studio

>Handel, George Frideric : Dixit Dominus, HWV 232 :: Dixit Dominus
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Players
  • Period Time: Baroque
  • Form: Choral
  • Written: 1707
  • Studio/Live: Studio

>Handel, George Frideric : Giulio Cesare, HWV 17 :: Dall'ondoso periglio
  • Performer: Stephanie Blythe (Mezzo Soprano)
  • Conductor: John Nelson
  • Ensemble: Ensemble Orchestral de Paris
  • Period Time: Baroque
  • Written: by 1724
  • Studio/Live: Studio

>Handel, George Frideric : Alcina, HWV 34 :: Verdi prati
  • Performer: Della Jones (Mezzo Soprano)
  • Conductor: Richard Hickox
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1735
  • Studio/Live: Studio

>Monteverdi, Claudio : L'Orfeo :: Sinfonia
  • Conductor: Emmanuelle Haïm
  • Ensemble: Le Concert d'Astrée
  • Period Time: Baroque
  • Form: Orchestral
  • Written: 1607
  • Studio/Live: Studio

>Monteverdi, Claudio : Madrigals, Book 8 :: Altri canti d'amor
  • Conductor: Anthony Rooley
  • Ensemble: Consort of Musicke
  • Period Time: Baroque
  • Form: Choral
  • Written: by 1638
  • Studio/Live: Studio

>Monteverdi, Claudio : Beatus vir a 7
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Consort
  • Period Time: Baroque
  • Form: Choral
  • Studio/Live: Studio

>Monteverdi, Claudio : L'Incoronazione di Poppea :: Pur ti miro [Final Duet]
  • Performers: Arleen Augér (Soprano); Della Jones (Mezzo Soprano); Arleen Augér (Soprano)
  • Conductor: Richard Hickox
  • Period Time: Baroque
  • Written: 1642
  • Studio/Live: Studio

>Albinoni, Tomaso : Adagio for Organ and Strings in G minor
  • Conductor: Jonathan Rees
  • Ensemble: Scottish Ensemble
  • Period Time: Baroque
  • Studio/Live: Studio

>Allegri, Gregorio : Miserere mei Deus :: Miserere mei
  • Conductor: Stephen Cleobury
  • Period Time: Baroque
  • Written: 17th Century
  • Studio/Live: Studio

>Gabrieli, Giovanni : Sacrae symphoniae, Book 1 :: Sonata pian e forte alla quarta bassa
  • Conductor: Paul McCreesh
  • Ensemble: Gabrieli Consort & Players
  • Period Time: Renaissance
  • Written: by 1597
  • Studio/Live: Studio

>Vivaldi, Antonio : Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate"
  • Performer: Monica Huggett (Violin)
  • Conductor: Nicholas Kraemer
  • Ensemble: Raglan Baroque Players
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1725
  • Studio/Live: Studio

>Vivaldi, Antonio : Gloria in D major, RV 589 :: Gloria in excelsis Deo
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Players
  • Period Time: Baroque
  • Form: Choral
  • Studio/Live: Studio

>Marcello, Alessandro : Concerto for Oboe in D minor :: 2nd movement, Adagio
  • Performer: Ray Still (Oboe)
  • Conductor: Richard Stamp
  • Ensemble: London Academy
  • Period Time: Baroque
  • Form: Concerto
  • Written: by 1717
  • Studio/Live: Studio

>Boccherini, Luigi : Quintet for Guitar and Strings no 7 in E minor, G 451 :: Allegro moderato
  • Conductor: Fabio Biondi
  • Ensemble: L'Europa Galante
  • Period Time: Classical
  • Form: Chamber Music
  • Written: 1798
  • Studio/Live: Studio

>Scarlatti, Domenico : Sonata for Harpsichord in D minor, K 9/L 413
  • Performer: Mikhail Pletnev (Piano)
  • Period Time: Baroque
  • Written: by 1738
  • Studio/Live: Studio

>Pergolesi, Giovanni : Stabat Mater :: Excerpt(s)
  • Performers: Véronique Gens (Soprano); Gérard Lesne (Countertenor); Gérard Lesne (Countertenor); Véronique Gens (Soprano)
  • Ensemble: Il Seminario Musicale
  • Period Time: Baroque
  • Form: Choral
  • Written: 1736
  • Studio/Live: Studio

>Vivaldi, Antonio : Concerto for 2 Mandolins in G major, RV 532 :: Allegro
  • Performers: Sonia Maurer (Mandolin); Giovanni Scaramuzzino (Mandolin)
  • Conductor: Fabio Biondi
  • Ensemble: L'Europa Galante
  • Period Time: Baroque
  • Form: Concerto
  • Studio/Live: Studio

>Lotti, Antonio : Crucifixus
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Consort Choir
  • Period Time: Baroque
  • Form: Choral
  • Studio/Live: Studio

>Tartini, Giuseppe : Sonata for Violin and Basso Continuo in G minor, Op. 1 no 4 "Devil's Trill" :: Allegro
  • Performer: Jean-Jacques Kantorow (Violin)
  • Conductor: Jean-Jacques Kantorow
  • Ensemble: Ensemble d'Auvergne
  • Period Time: Baroque
  • Studio/Live: Studio

>Vivaldi, Antonio : Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera"
  • Performer: Chiara Banchini (Violin)
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Consort & Players
  • Period Time: Baroque
  • Form: Concerto
  • Written: circa 1725
  • Studio/Live: Studio

>Vivaldi, Antonio : Concerto for Piccolo in C major, RV 444 :: 1st movement, Allegro non molto
  • Performer: Michel Sanvoisin (Flute)
  • Conductor: Louis Auriacombe
  • Ensemble: Toulouse Chamber Orchestra
  • Period Time: Baroque
  • Form: Concerto
  • Studio/Live: Studio

>Soler, Antonio : Fandango for Keyboard
  • Performer: Maggie Cole (Harpsichord)
  • Period Time: Classical
  • Written: 18th Century
  • Studio/Live: Studio

>Tomás Luis de Victoria (1548 - 1611) : O vos omnes, qui transitis per viam
  • Conductor: Harry Christophers
  • Ensemble: The Sixteen
  • Period Time: Renaissance
  • Form: Choral
  • Written: by 1572
  • Studio/Live: Studio

>Coll, Antonio Martín y : Diferencias sobre las Folias
  • Conductor: Jordi Savall
  • Ensemble: Hespèrion XX
  • Period Time: Baroque
  • Written: by 1706
  • Studio/Live: Studio

>Anonymous : Ay luna que reluzes
  • Performer: Montserrat Figueras (Soprano)
  • Conductor: Jordi Savall
  • Ensemble: Hespèrion XX
  • Period Time: Renaissance
  • Form: Vocal
  • Studio/Live: Studio

>Mudarra, Alonso de : Tres libros de musica en cifras :: Pavana and galliard de Alexandra
  • Conductor: Nancy Hadden
  • Ensemble: Circa 1500
  • Period Time: Renaissance
  • Written: by 1546
  • Studio/Live: Studio

>Bomtempo, Joao Domingos : Messe de Requiem :: Sanctus
  • Conductor: Michel Corboz
  • Ensemble: Gulbenkian Foundation Symphony Orchestra Lisbon
  • Period Time: Classical
  • Form: Choral
  • Written: by 1819
  • Studio/Live: Studio

>Philidor, François-André Danican : Marche de triomphe
  • Conductor: Hugo Reyne
  • Ensemble: La Simphonie du Marais
  • Period Time: Classical
  • Form: March
  • Studio/Live: Studio

>Lully, Jean-Baptiste : Marche des mousquetaires
  • Conductor: Hugo Reyne
  • Period Time: Baroque
  • Form: March
  • Written: 1658
  • Studio/Live: Studio

>Francoeur, François : Symphonies du Festin Royal :: Contradance
  • Conductor: Hugo Reyne
  • Ensemble: La Simphonie du Marais
  • Period Time: Classical
  • Form: Orchestral
  • Written: by 1773
  • Studio/Live: Studio

>Charpentier, Marc-Antoine : Marche de triomphe in C major, H 547 no 1
  • Conductor: Fritz Lehan
  • Ensemble: Consortium Musicum
  • Period Time: Baroque
  • Form: March
  • Written: 1725
  • Studio/Live: Studio

>Delalande, Michel-Richard : Sinfonies pour les soupers du roi :: Suite no 7 in A major - Caprice no 1 "de Villers-Cotterêts"
  • Performers: Maurice André (Trumpet); Bernard Soustrot (Trumpet); Guy Touvron (Trumpet); Maurice Andre (Trumpet)
  • Conductor: Jean-Pierre Wallez
  • Ensemble: Ensemble Orchestral de Paris
  • Period Time: Baroque
  • Written: circa 1690-1700
  • Studio/Live: Studio

>Dauvergne, Antoine : Chaconne
  • Ensemble: Concerto Cologne
  • Period Time: Classical
  • Studio/Live: Studio

>Charpentier, Marc-Antoine : Te Deum in D major, H 146 :: Prelude
  • Conductor: William Christie
  • Ensemble: Les Arts florissants
  • Period Time: Baroque
  • Written: circa ?1690
  • Studio/Live: Studio

>Couperin, François : Mass for Organ no 2 "propre pour les convents de religeux..." :: Offertoire sur les Grands Jeux
  • Performer: Jean-Patrice Brosse (Harpsichord)
  • Period Time: Baroque
  • Form: Choral
  • Written: by 1690
  • Studio/Live: Studio

>Charpentier, Marc-Antoine : Regina coeli laetare, H 30
  • Conductor: Emmanuel Mandrin
  • Ensemble: Les Demoiselles de Saint-Cyr
  • Period Time: Baroque
  • Form: Choral
  • Written: circa ?1690
  • Studio/Live: Studio

>Louis-Nicolas Clérambault (1676 - 1749) : Panis angelicus
  • Performers: Mark Padmore (Tenor); Gérard Lesne (Countertenor)
  • Ensemble: Seminario Musicale
  • Period Time: Baroque
  • Form: Choral
  • Studio/Live: Studio

>Rameau, Jean-Philippe : In convertendo
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert spirituel
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1718
  • Studio/Live: Studio

>du Buisson, Lambert : Plainte sur la mort de Monsieur Lambert
  • Performer: Gérard Lesne (Countertenor)
  • Conductor: Hervé Niquet
  • Ensemble: Le Concert Spirituel Orchestra & Chorus
  • Period Time: Baroque
  • Studio/Live: Studio

>Visée, Robert de : Suite in C minor :: La Plainte, ou le Tombeau de Mesdemoiselles
  • Performer: Pascal Monteilhet (Theorbo)
  • Period Time: Baroque

>du Buisson, Lambert : Plainte sur la mort de Monsieur Lambert
  • Performers: Gérard Lesne (Countertenor); Gérard Lesne (Countertenor)
  • Ensemble: Instrumental Ensemble
  • Period Time: Baroque

>Rameau, Jean-Philippe : Tambourins
  • Ensemble: Sonnerie Trio
  • Period Time: Baroque

>Marais, Marin : Pièces de viole, Book 3 :: Plainte
  • Performers: Pierre Hantaï (Harpsichord); Jérôme Hantaï (Piano)
  • Period Time: Baroque
  • Written: by 1711

>Philidor, François-André Danican : Canon de Versailles
  • Conductor: Hugo Reyne
  • Ensemble: La Simphonie du Marais
  • Period Time: Classical

>Lully, Jean-Baptiste : Isis, LWV 54 :: Air de trembleurs
  • Performers: Bernard Deletré (Bass); Isabelle Desrochers (Soprano)
  • Conductor: Hugo Reyne
  • Ensemble: Marais Symphony Orchestra
  • Period Time: Baroque
  • Written: by 1677

>Rameau, Jean-Philippe : Les Indes galantes :: Chaconne
  • Performer: Patricia Petibon (Soprano)
  • Conductor: Patrick Cohën-Akenine
  • Ensemble: Les folies françoises
  • Period Time: Baroque
  • Form: Ballet
  • Written: 1735/1761

>Pachelbel, Johann : Canon and Gigue for 3 Violins and Basso Continuo in D major :: Canon
  • Performer: Patricia Petibon (Soprano)
  • Conductor: Patrick Cohën-Akenine
  • Ensemble: Les Folies Françoises
  • Period Time: Baroque

>Buxtehude, Dietrich : Canzonetta for Organ in A minor, BuxWV 225
  • Performer: Nicholas Danby (Organ)
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Consort & Players
  • Period Time: Baroque

>Monn, Mathias Georg : Concerto for Cello in G minor :: Allegro non tanto
  • Performers: Nicholas Danby (Organ); Balázs Máté (Cello)
  • Conductor: Lajos Rovátkay
  • Ensemble: Capella Agostino Steffani
  • Period Time: Baroque
  • Form: Concerto
  • Written: 18th Century
  • Studio/Live: Studio

>Bach, Johann Sebastian : Herz und Mund und Tat und Leben, BWV 147 :: Jesu bleibet meine Freude "Jesu, joy of man's desiring"
  • Performer: Balazs Mate (Cello)
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Choir
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1723

>Bach, Johann Sebastian : Suite for Orchestra no 3 in D major, BWV 1068 :: Air
  • Conductor: Philip Ledger
  • Ensemble: English Chamber Orchestra
  • Period Time: Baroque
  • Written: circa 1729-1731

>Bach, Johann Sebastian : Concerto for 4 Harpsichords in A minor, BWV 1065 :: 1st movement, Allegro
  • Performers: Bob Asperen (Harpsichord); Marcelo Bussi (Organ); Bernhard Klapprott (Harpsichord); Carsten Lohff (Harpsichord)
  • Conductor: Philip Ledger
  • Period Time: Baroque
  • Form: Concerto
  • Written: circa 1738-1739

>Bach, Johann Sebastian : Toccata and Fugue in D minor, BWV 565 :: Toccata
  • Performers: Werner Jacob (Organ); Carsten Lohff (Harpsichord); Marcelo Bussi (Organ); Bernhard Klapprott (Harpsichord); Bob Asperen (Harpsichord)
  • Conductor: Bob Asperen
  • Ensemble: Melante Amsterdam
  • Period Time: Baroque
  • Written: by 1708

>Bach, Johann Sebastian : Toccata and Fugue in D minor, BWV 565 :: Fugue
  • Performer: Werner Jacob (Organ)
  • Period Time: Baroque
  • Written: by 1708

>Bach, Johann Sebastian : Jauchzet Gott in allen Landen, BWV 51 :: no 1, Jauchzet Gott in allen Landen
  • Performers: Nancy Argenta (Soprano); Crispian Steele-Perkins (Trumpet)
  • Conductor: Monica Huggett
  • Ensemble: Ensemble Sonnerie
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1730

>Telemann, Georg Philipp : Concerto for Oboe in F minor :: 2nd movenment, Largo
  • Performer: David Munrow (Flute)
  • Conductor: Bob Asperen
  • Ensemble: Melante Amsterdam
  • Period Time: Baroque
  • Form: Concerto
  • Studio/Live: Studio

>Bach, Johann Sebastian : Wir danken dir, Gott, BWV 29 :: no 1, Sinfonia in D major
  • Performer: Han Vries (Oboe)
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Players
  • Period Time: Baroque
  • Form: Cantata/Oratorio
  • Written: 1731

>Bach, Johann Sebastian : Goldberg Variations, BWV 988 :: Theme "Aria"
  • Performer: Maggie Cole (Harpsichord)
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Consort & Players
  • Period Time: Baroque
  • Written: 1741-1742

>Bach, Johann Sebastian : Saint John Passion, BWV 245 :: no 58, Es ist vollbracht
  • Performers: Maggie Cole (Harpsichord); Stephanie Blythe (Mezzo Soprano)
  • Conductor: John Nelson
  • Ensemble: Paris Orchestral Ensemble
  • Period Time: Baroque
  • Form: Vocal
  • Written: 1724

>Bach, Johann Sebastian : Brandenburg Concerto no 4 in G major, BWV 1049 :: 3rd movement, Presto
  • Performers: Rachel Beckett (Recorder); Monica Huggett (Violin); Marion Scott (Recorder)
  • Conductor: John Nelson
  • Period Time: Baroque
  • Form: Concerto
  • Written: circa 1720

>Bach, Johann Sebastian : Suite for Cello solo no 1 in G major, BWV 1007 :: 1st movement, Prelude
  • Performers: Rachel Beckett (Recorder); Marion Scott (Recorder); Monica Huggett (Violin); Ralph Kirshbaum (Cello)
  • Period Time: Baroque
  • Written: circa 1720

>Bach, Johann Sebastian : Magnificat in D major, BWV 243 :: Magnificat
  • Performer: Ralph Kirshbaum (Cello)
  • Conductor: Sigiswald Kuijken
  • Ensemble: Netherlands Chamber Choir
  • Period Time: Baroque
  • Form: Choral
  • Written: circa 1728-1731

>Bach, Johann Sebastian : Concerto for Harpsichord in F minor, BWV 1056
  • Conductor: Sigiswald Kuijken
  • Ensemble: Netherlands Chamber Choir
  • Period Time: Baroque
  • Form: Concerto
  • Written: circa 1738-1739

>Bach, Johann Sebastian : Sonata for Flute and Harpsichord in E flat major, BWV 1031
  • Performers: Bob Asperen (Harpsichord); Michel Debost (Flute); Lionel Rogg (Organ)
  • Ensemble: Melante Amsterdam
  • Period Time: Baroque
  • Written: circa 1734

>Bach, Johann Sebastian : Suite for Orchestra no 4 in D major, BWV 1069 :: Rejouissance
  • Performers: Michel Debost (Flute); Lionel Rogg (Organ)
  • Conductor: Andrew Parrott
  • Ensemble: Boston Early Music Festival Choir
  • Period Time: Baroque
  • Form: Orchestral
  • Written: circa 1729-1731

>Bach, Johann Sebastian : Partita for Violin solo no 3 in E major, BWV 1006 :: 1st movement, Prelude
  • Performer: Christian Tetzlaff (Violin)
  • Conductor: Andrew Parrott
  • Ensemble: Boston Early Music Festival Orchestra
  • Period Time: Baroque
  • Written: 1720
  • Studio/Live: Studio

>Bach, Johann Sebastian : Saint John Passion, BWV 245 :: no 67, Ruhet wohl, ihr heilgen Gebeine
  • Performer: Christian Tetzlaff (Violin)
  • Conductor: Andrew Parrott
  • Ensemble: Taverner Choir
  • Period Time: Baroque
  • Written: 1724
  • Studio/Live: Studio

>Bach, Johann Sebastian : Brandenburg Concerto no 2 in F major, BWV 1047
  • Performers: Rachel Beckett (Recorder); Mark Bennett (Trumpet); Paul Goodwin (Oboe); Monica Huggett (Violin)
  • Conductor: Monica Huggett
  • Ensemble: Choir of the Age of Enlightenment
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1717-1718
  • Studio/Live: Studio

>Bach, Johann Sebastian : Mass in B minor, BWV 232 :: Gloria
  • Performers: Mark Bennett (Trumpet); Paul Goodwin (Oboe); Rachel Beckett (Recorder); Monica Huggett (Violin)
  • Conductor: Philippe Herreweghe
  • Ensemble: Collegium Vocale
  • Period Time: Baroque
  • Form: Choral
  • Written: 1747-1749
  • Studio/Live: Studio

>Bach, Johann Sebastian : Well-Tempered Clavier, Book 1, BWV 846-869 :: no 1 in C major, BWV 846
  • Performer: Bob Asperen (Harpsichord)
  • Conductor: Philippe Herreweghe
  • Ensemble: Collegium Vocale (Ghent)
  • Period Time: Baroque
  • Written: 1722
  • Studio/Live: Studio

>Bach, Johann Sebastian : Concerto for 2 Violins in D minor, BWV 1043 :: 2nd movement, Largo ma non tanto
  • Performers: Alison Bury (Violin); Elizabeth Wallfisch (Violin); Bob Asperen (Harpsichord)
  • Conductor: Gustav Leonhardt
  • Ensemble: Orchestra of the Age of Enlightenment
  • Period Time: Baroque
  • Form: Concerto
  • Written: 1717-1723
  • Studio/Live: Studio

>Bach, Johann Sebastian : Suite for Lute in E minor, BWV 996 :: 5th movement, Bourée
  • Performers: Sharon Isbin (Guitar); Alison Bury (Violin); Elizabeth Wallfisch (Violin)
  • Period Time: Baroque
  • Studio/Live: Studio

>Bach, Johann Sebastian : Suite for Lute in E minor, BWV 996 :: 6th movement, Gigue
  • Performer: Sharon Isbin (Guitar)
  • Period Time: Baroque
  • Written: circa 1708-1717
  • Studio/Live: Studio

>Bach, Johann Sebastian : Suite for Orchestra no 2 in B minor, BWV 1067 :: Overture
  • Performer: Sharon Isbin (Guitar)
  • Conductor: Philip Ledger
  • Ensemble: English Chamber Orchestra
  • Period Time: Baroque
  • Form: Orchestral
  • Studio/Live: Studio

>Bach, Johann Sebastian : Partita for Keyboard no 1 in B flat major, BWV 825 :: Prelude
  • Performer: Gustav Leonhardt (Harpsichord)
  • Conductor: Philip Ledger
  • Period Time: Baroque
  • Written: 1726-1731
  • Studio/Live: Studio

>Bach, Johann Sebastian : Partita for Keyboard no 1 in B flat major, BWV 825 :: Gigue
  • Performer: Gustav Leonhardt (Harpsichord)
  • Period Time: Baroque
  • Written: 1726-1731
  • Studio/Live: Studio

>Bach, Johann Sebastian : Magnificat in D major, BWV 243 :: Deposuit potentes
  • Performers: Gustav Leonhardt (Harpsichord); Christoph Prégardien (Tenor)
  • Conductor: Sigiswald Kuijken
  • Ensemble: La petite bande
  • Period Time: Baroque
  • Form: Vocal
  • Written: circa 1728
  • Studio/Live: Studio

>Bach, Johann Sebastian : Mass in B minor, BWV 232 :: Agnus Dei
  • Performer: Christoph Prégardien (Tenor)
  • Conductor: Sigiswald Kuijken
  • Ensemble: La Petite Bande
  • Period Time: Baroque
  • Form: Choral
  • Written: 1747-1749
  • Studio/Live: Studio

>Bach, Wilhelm Friedemann : Sonata for Harpsichord in G major, F 7 :: Presto
  • Performers: Christophe Rousset (Harpsichord); Charles Brett (Countertenor)
  • Conductor: Philippe Herreweghe
  • Period Time: Classical

>Bach, Carl Philipp Emanuel : Concerto for Cello no 3 in A major, Wq 172/H 439 :: 3rd movement, Allegro assai
  • Performers: Anner Bylsma (Cello); Christophe Rousset (Harpsichord)
  • Conductor: Gustav Leonhardt
  • Ensemble: Orchestra of the Age of Enlightenment
  • Period Time: Classical
  • Form: Concerto
  • Written: ?1753

>Bach, Carl Philipp Emanuel : Auferstehung und Himmelfahrt Jesu, Wq 240/H 777 :: Triumph! Der Fürst des Lebens sieget!
  • Performer: Anner Bylsma (Cello)
  • Conductor: Philippe Herreweghe
  • Ensemble: Collegium Vocale
  • Period Time: Classical
  • Form: Cantata/Oratorio

>Bach, Carl Philipp Emanuel : Auferstehung und Himmelfahrt Jesu, oratorio for 3 voices, chorus, orchestra & continuo, H. 777, Wq.
  • Conductor: Philippe Herreweghe
  • Running Time: 2 min. 5 sec.
  • Period Time: Classical
  • Form: Cantata/Oratorio
  • Written: 1774-1780