Hager, Leopold > Schreier, Peter

Mozart - The Complete Operas

44 CD / Decca Import / 2009-08-04

Works: Wolfgang Amadeus Mozart: La finta semplice, K 51 (46a); Mitridate, rè di Ponto, K 87 (74a); Ascanio in Alba, opera, K. 111; Il sogno di Scipione, opera, K. 126; Lucio Silla, K 135; La finta gi...
Performers: Ahnsjo, Claes-Hakan; Alexander, Roberta [Soprano Vocals]; Araiza, Francisco [Tenor Vocals]; Arroyo, Martina; Auger, Arleen; Baker, Janet, Dame [Mezzo-soprano Vocal]; Baltsa, Agnes; Blasi, Angela Mari...
Conductors: Schreier, Peter; Hager, Leopold; Marriner, Sir Neville; Davis, Colin; Harrer, Uwe Christian; Schmidt-Isserstedt, Hans; Klee, Bernhard

A unique collection of the complete operatic works of Mozart! This set ranges from the fascinating works of his teenage years to the profound late...continue...

Complete Mozart Edition 13 - Early Italian Operas

13 CD / Philips Import / 2006-03-14

Works: Wolfgang Amadeus Mozart: La finta semplice, K 51 (46a); Mitridate, rè di Ponto, K 87 (74a); Ascanio in Alba, opera, K. 111; Il sogno di Scipione, opera, K. 126; Lucio Silla, K 135
Performers: Ahnsjo, Claes-Hakan; Aigner, Alois; Auger, Arleen; Baltsa, Agnes; Blochwitz, Hans-Peter; Cotrubas, Ileana; Donath, Helen [Soprano Vocal]; Gruberova, Edita; Hager, Leopold; Hendricks, Barbara [Soprano...
Conductors: Schreier, Peter; Hager, Leopold
Ensemble: C.P.E. Bach Chamber Orchestra; Salzburg Chamber Choir; Salzburg Mozarteum Orchestra

Volume 13 of the Complete Mozart Edition presents Mozart's Early Italian Operas performed by a variety of soloists accompanied by the Mozarteum Orchestra Salzburg....continue...

Mozart: Mitridate / Hager, Schreier, Moser, Augèr, et al

2 CD / Opera D'Oro / 2002-08-06

Works: Wolfgang Amadeus Mozart: Mitridate, rè di Ponto, K 87 (74a)
Performers: Auger, Arleen; Baillie, Peter; Lorengar, Pilar; Moser, Edda; Schreier, Peter; Watts, Helen [Contralto Vocals]
Conductors: Hager, Leopold
Ensemble: Salzburg Mozarteum Orchestra

Mozart was just 14 when he wrote this full-length opera - and it was his third! At the first performance in 1770 the audience leapt...continue...