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Zaccaria, Nicola [Bass Vocal] > Modern Period

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Beethoven: Missa solemnis;  Mozart / Herbert von Karajan
Beethoven: Missa solemnis; Mozart / Herbert von Karajan

2 CD / Testament / 2006-10-10

Works: Elisabeth Schwarzkopf: Elisabeth Schwarzkopf talks about the recording in a recent interview; Ludwig van Beethoven: Missa solemnis in D major, Op. 123; Wolfgang Amadeus Mozart: Symphony no 38 in D ma...
Performers: Gedda, Nicolai [Tenor Vocals]; Ludwig, Christa [Mezzo soprano]; Schwarzkopf, Elisabeth [Soprano vocals]; Zaccaria, Nicola [Bass Vocal]
Conductors: Karajan, Herbert v.
Ensemble: Philharmonia Orchestra

In an interview included on this set, Elisabeth Schwazkopf says of the Philharmonia Orchestra, along with the Cleveland Orchestra under George Szell, that in those...continue...
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TES 2126
Pizzetti: Fedra / Sanzogno, Bertocci, Fortunati, et al
Pizzetti: Fedra / Sanzogno, Bertocci, Fortunati, et al

2 CD / Opera D'Oro / 2005-05-10

Works: Ildebrando Pizzetti: Fedra
Performers: Bertocci, Aldo; Brandolini, Silvana; Fortunati, Mercedes; Maionica, Silvio [Bass vocals]; Palombini, Vittoria; Ronchini, Bruna; Vocals], Anselmo Colzani [Baritone; Zaccaria, Nicola [Bass Vocal]
Conductors: Sanzogno, Nino
Ensemble: Italian Radio Chorus

Ildebrando Pizzetti was a composer whose operas avoid the lush lyricism of the Romantic Italian school in favor of a style reminiscent both of the...continue...
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ODO 1421
Pizzetti: Assassinio nella Cattedrale / Gavazzeni, Gencer
Pizzetti: Assassinio nella Cattedrale / Gavazzeni, Gencer

2 CD / Opera D'Oro / 2003-10-07

Works: Ildebrando Pizzetti: Assassinio nella Cattedrale, opera
Performers: Bertocci, Aldo; Campi, Enrico; Carturan, Gabriella; Cassinelli, Antonio; Cormanni, Adolfo; Dondi, Dino; Gencer, Leyla; Maionica, Silvio [Bass vocals]; Ortica, Mario; Pelizzoni, Rinaldo; Puglisi, Lino...
Conductors: Gavazzeni, Gianandrea
Ensemble: Milan Teatro alla Scala Chorus

Pizzetti, successor to Respighi at the St. Cecilia Academy in Rome, wrote in a style reminiscent both of the Impressionists and of late Reniaissance or...continue...
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ODO 1396
 
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