Works: Walter Lambe: Nesciens Mater for 5 voices; William, Monk of Stratford: Magnificat; Plainchant: Nesciens mater, antiphon; Richard Davy: Saint Matthew Passion; John Browne: Stabat mater; Hugh Kellyk: M... Conductors:
Pitts, Antony Ensemble:
; Tonus Peregrinus
The Eton Choirbook is a giant 500 year-old manuscript from Eton College Chapel, and one of the greatest surviving glories of pre-Reformation England. This recording...continue...
Recording information: St Alban the Martyr, Holborn, London (07/11/2011-07/14/2011)....continue...
Works: John Browne: Salve regina no 1; Robert Wylkynson: Jesus autem transiens / Credo in Deum; Anonymous: Hail, Mary, full of grace; Regina sovrana, lauda for 4 voices; This Day Day Dawes; Surrexit Christu... Conductors:
Christophers, Harry Ensemble:
The Hilliard Ensemble
Royal Manuscripts: The Genius of Illumination is the British Library's first major exhibition to bring together its Royal collection, a treasure trove of illuminated manuscripts...continue...
Works: Willem Ceuleers: Nomen mortis infame, for 35 voices; Joan Baptista Comes: Gloria, for 12 voices; Josquin Desprez: Qui habitat in adiutorio Altissimi, motet for 4 parts; Robert Wylkynson: Jesus autem ... Conductors:
Van Nevel, Paul
"If you love Tallis' 40-voice motet Spem in alium, or any of the more refulgent polychoral works of Gabrieli (represented here by the 16-voice Exaudi...continue...
Works: Robert Fayrfax: Ave Lumen Gratie; Most Clere of Colour for 3 voices; Richard Hygons: Salve Regina; Edmund Turges: From Stormy Windes, for chorus; John Browne: Stabat Iuxta Christi Crucem; Jesu, Mercy... Conductors:
Christophers, Harry Ensemble:
The Sixteen (Choir)
The Gramophone Wonderful music, wonderfully performed ... sit back and let these glorious sounds fill your ears and lift your spirits ...continue...
Works: Richard Davy: O Domine Caeli Terraeque for 5 voices; Ah myn hart, remembir thee well, for 3 voices; A Blessid Jhesu for 3 voices; William Cornysh: Ave Maria mater Dei; Walter Lambe: Stella Caeli for ...
"It is difficult to believe that any fifteenth or sixteenth century choir could have sung this music with the refined blend, the rich tone, or...continue...