Album Remarks & Appraisals:
4x GRAMMY nominee and best-selling saxman Boney James continues his artistic evolution with the dynamic futuresoul. Fusing his love for vintage soul music with his mastery of modern production, Boney has created another genre-bending work. 10 original songs written or co-written by Boney, with special guests Stokley of Mint Condition on vocals and Thelonious Monk Competition winner Marquis Hill on trumpet. futuresoul is retro music for the modern age.
Audio Mixer: David Rideau.
Recording information: Sunset Sound, Hollywood, CA; The Backyard, Los Angeles, CA.
Title aside, there is something very familiar about Futuresoul, Boney James' follow-up to 2013's Grammy-winning Beat. With a modern production approach, there is a deliberate look back at his great inspiration, Grover Washington, Jr., in particular, the late saxophonist's groundbreaking period between 1975 and 1983. Washington, then recording for Kudu, was deeply influenced by vintage soul music and equally taken with funk. He melded them seamlessly with warm, melodic jazz in a welcoming tone and songlike phrasing that virtually created the "smooth jazz" genre. Those tropes influenced and benefited James greatly; he's continued to evolve and transform the music since his 1992 debut album, Trust. His tone here is pure retro analog, while the rest of Futuresoul's sounds derive from the current production techniques of R&B and pop. He collaborated with several co-producers, including Jarius Mozee on the slinky club floor opener "Drumline," and with Dwele on the fingerpopping summertime groove in the title track. Stokley (Williams) makes a vocal appearance on the lovely crossover tune "Either Way." While the scratchy sample at the intro to "Vinyl" is perhaps too obvious, the melody is low, sexy, and slow, with elegantly layered and harmonically staggered saxophones. Rob Bacon's chunky guitar and Nutty P Beats' loops and spacy synths are tastefully stitched into the backdrop. The ballad "Hand in Hand," with Darrell Smith's programmed loops and low-end keyboard bass, is lithe and romantic, though the earthy, Southern gospel tinge of Tim Carmon's B-3 adds roots and depth. Closer "Far from Home" features the muted trumpet of Marquis Hill as a lyric foil for James. Carmon's acoustic piano fills, Vinnie Colaiuta's impressionistic drums, and Lenny Castro's illustrative percussion add a restrained yet cinematic feel to the track. While Futuresoul may not have the outward propulsive force of Beat, it is its flipside: a more lyrical outing that tastefully and thoughtfully melds grooves from the history of smooth and contemporary jazz to modern adult R&B. ~ Thom Jurek
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