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Giacomo Meyerbeer (1791-1864): Hallelujah - The Choral Works / Hermann Max, Rheinische Kantorei

Album Summary

>Meyerbeer, Giacomo : Hallelujah, cantata for 4 voices & organ ad lib
>Meyerbeer, Giacomo : Psalm 91, for soloists & double chorus
>Meyerbeer, Giacomo : Busslied
>Meyerbeer, Giacomo : Pater Noster, offertory for chorus
>Meyerbeer, Giacomo : Spiritual Songs (7), for SATB & piano ad lib
>Meyerbeer, Giacomo : Ein Feldlager in Schlesien
Performers Conductor Ensemble Composer

Notes & Reviews:

Hermann Max and his Rheinische Kantorei present an entirely new facet in the oeuvre of the opera composer Giacomo Meyerbeer on this recording premiere of his sacred chroal works. In the booklet, Max himself writes, "The protagonists of the Enlightenment influenced Giacomo's social network in letters and conversations during his early years. It was only logical that religious texts were viewed more in literary terms than as faith documents to be taken seriously. The stories from the Bible contradicting the laws of nature were taken more nonchalantly than with absolute seriousness and naive faith. Jesus often was mentioned no longer as the Son of God but as the most important human being ever born. As a principle operating against prejudices and intolerance, reason questioned everything religious and offered guidance contributing to the proper recognition of the laws of nature. For Meyerbeer, the fascination of religious texts lay in their musical setting as historical and literary material. Romanticists experienced "time travel" to regions located in the distant past as a departure from reality and the exploration of an imaginary world created by the mind. Giacomo enjoyed all of the above and was enthusiastic about what he learned as a traveler in Europe. His career as a virtuoso, which his great talent as a pianist when he was a boy had seemed to promise, was soon forgotten. Italy fascinated Meyerbeer. Especially Rossini and Salieri. He now kenw that it was right to have abandoned the oppressively dry instruction in composition that he was receiving from Zelter and to study in Darmstadt with Abbe Vogler. The Abbe cured him of self-doubts and opened his imagination to a vast ocean of compositional possibilities.

Notes & Reviews:

Recording information: Katholische Kirche St. Martinus, historische Zollfeste (10/05/2012-10/07/2012).



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Works Details

>Meyerbeer, Giacomo : Hallelujah, cantata for 4 voices & organ ad lib
  • Performer: Christoph Lehmann (Organ)
  • Conductor: Hermann Max
  • Ensemble: Rheinische Kantorei
  • Notes: Katholische Kirche St. Martinus, historische Zollfeste Zons (Dormagen) (10/05/2012-10/07/2012)
  • Running Time: 6 min. 33 sec.
  • Period Time: Romantic
  • Written: 1815

>Meyerbeer, Giacomo : Psalm 91, for soloists & double chorus
  • Performers: Christoph Lehmann (Organ); Immo Schröder (Tenor); Matthias Vieweg (Bass); Veronika Winter (Soprano)
  • Notes: Katholische Kirche St. Martinus, historische Zollfeste Zons (Dormagen) (10/05/2012-10/07/2012)
  • Running Time: 9 min. 36 sec.
  • Period Time: Romantic
  • Written: 1853

>Meyerbeer, Giacomo : Busslied :: Qui sequitue me, penitential hymn for bass & chorus
  • Performers: Christoph Lehmann (Organ); Patricio Ramos-Pereira
  • Notes: Katholische Kirche St. Martinus, historische Zollfeste Zons (Dormagen) (10/05/2012-10/07/2012)
  • Running Time: 7 min. 25 sec.
  • Period Time: Romantic
  • Written: 1859

>Meyerbeer, Giacomo : Pater Noster, offertory for chorus
  • Performer: Christoph Lehmann (Organ)
  • Notes: Katholische Kirche St. Martinus, historische Zollfeste Zons (Dormagen) (10/05/2012-10/07/2012)
  • Running Time: 4 min. 18 sec.
  • Period Time: Romantic
  • Form: Choral

>Meyerbeer, Giacomo : Spiritual Songs (7), for SATB & piano ad lib
  • Performers: Christoph Lehmann (Organ); Immo Schröder (Tenor); Matthias Vieweg (Bass); Veronika Winter (Soprano)
  • Notes: Katholische Kirche St. Martinus, historische Zollfeste Zons (Dormagen) (10/05/2012-10/07/2012)
  • Running Time: 21 min. 16 sec.
  • Period Time: Romantic
  • Written: 1811

>Meyerbeer, Giacomo : Ein Feldlager in Schlesien :: An Mozart Solo-Quartett für vier Männerstimmen a cappella
  • Performers: Rüdiger Ballhorn (Voice); Gregor Finke (Bass); Markus Flaig (Bass); Christoph Lehmann (Organ); Bernard Scheffel
  • Notes: Katholische Kirche St. Martinus, historische Zollfeste Zons (Dormagen) (10/05/2012-10/07/2012)
  • Running Time: 5 min. 25 sec.
  • Period Time: Romantic