1 800 222 6872

Night Breeze - Carlos Salzedo / Sarah Schuster Ericsson

> Short Stories in Music, Book 1 - The Dwarf and the Giant (Le nain et le geant)
> Short Stories in Music, Book 1 - The Kitten and the Limping Dog (Minet et le chein boituex)
> Short Stories in Music, Book 1 - Rocking Horse (Le cheval a bascule)
> Short Stories in Music, Book 1 - On Donkey-back (A dos d'ane)
> Short Stories in Music, Book 1 - Rain Drops (Gouttes de pluie)
> Short Stories in Music, Book 1 - Madonna and Child (La Madone et l'Enfant Jesus)
> Short Stories in Music, Book 1 - Memories of a Clock (Une horloge se souvient)
> Short Stories in Music, Book 1 - Night Breeze (Brise nocturne)
> Short Stories in Music, Book 2 - On Stillts (Sur les echasses)
> Short Stories in Music, Book 2 - Pirouetting Music Box (Poupee sur boite a musique)
> Short Stories in Music, Book 2 - Behind the Barracks (A la caserne)
> Short Stories in Music, Book 2 - At Church (A l'eglise)
> Short Stories in Music, Book 2 - Goldfish (Poisson rouge)
> Short Stories in Music, Book 2 - The Mermaid's Chimes (Carillon sous-marin)
> Short Stories in Music, Book 2 - Skipping Rope (Saut a la corde)
> Suite of 8 Dances - No. 1. Gavotte
> Suite of 8 Dances - No. 2. Menuet
> Suite of 8 Dances - No. 3. Polka
> Suite of 8 Dances - No. 4. Siciliana
> Suite of 8 Dances - No. 5. Bolero
> Suite of 8 Dances - No. 6. Seguidilla
> Suite of 8 Dances - No. 7. Tango
> Suite of 8 Dances - No. 8. Rumba
> Prelude for a Drama - Prelude for a Drama
> Preludes intimes - I. tenderly emoted
> Preludes intimes - II. dreamingly
> Preludes intimes - III. procession-like
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Theme
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 1: Double
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 2: Bouree
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 3: Staccati
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 4: Butterfly
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 5: Chords and Fluxes
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 6: Jumps
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 7: Trills
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 8: Scales and Arpeggios
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 9: Barcarolle
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 10: Prelude
> Variations sur un theme dans le style ancien (Variations on a Theme in Ancient Style), Op. 30 - Variation 11: Fugue, Cadenza, Conclusion

Album Summary

>Salzedo, Carlos : Short Stories in Music, First Series, pieces (8) for harp
>Salzedo, Carlos : Short Stories in Music, Second Series, pieces (7) for harp
>Salzedo, Carlos : Suite of Eight Dances
>Salzedo, Carlos : Prelude for a Drama, for harp
>Salzedo, Carlos : Preludes Intimes, pieces (5) for harp
>Salzedo, Carlos : Variations on a Theme in Ancient Style, for solo harp, Op. 30
Performer Composer

Notes & Reviews:

Leon Charles-Salzedo was a legendary virtuoso harpist, pedagogue and composer. He understood the unlimited range of the instrument and was able to reveal its wonder through new textures and the exploration of fresh ideas. Performing his harp music on this release is Sarah Schuster Ericsson. A former member of the Boston Symphony Orchestra, she has performed with many of the world's top conductors, including Sir Simon Rattle, James Levine, and Bernard Haitink. The Boston Globe has called her "dazzling, bravura playing and captivating detail".



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Works Details

>Carlos Salzédo (Composer) (1885 - 1961) : Short Stories in Music, First Series, pieces (8) for harp
  • Performer: Sarah Ericsson (Harp)
  • Notes: Skywalker Sound, Nicasio, CA (02/13/2003-02/14/2003)
  • Running Time: 11 min. 47 sec.
  • Period Time: Modern
  • Written: 1934

>Carlos Salzédo (Composer) (1885 - 1961) : Short Stories in Music, Second Series, pieces (7) for harp
  • Performer: Sarah Ericsson (Harp)
  • Notes: Skywalker Sound, Nicasio, CA (02/13/2003-02/14/2003)
  • Running Time: 10 min. 27 sec.
  • Period Time: Modern
  • Written: 1934

>Carlos Salzédo (Composer) (1885 - 1961) : Suite of Eight Dances
  • Performer: Sarah Ericsson (Harp)
  • Notes: Skywalker Sound, Nicasio, CA (02/13/2003-02/14/2003)
  • Running Time: 14 min. 37 sec.
  • Period Time: Modern
  • Written: 1943

>Carlos Salzédo (Composer) (1885 - 1961) : Prelude for a Drama, for harp
  • Performer: Sarah Ericsson (Harp)
  • Notes: Skywalker Sound, Nicasio, CA (02/13/2003-02/14/2003)
  • Running Time: 4 min. 36 sec.
  • Period Time: Modern
  • Written: 1948

>Carlos Salzédo (Composer) (1885 - 1961) : Preludes Intimes, pieces (5) for harp :: Tenderly emoted
  • Performer: Sarah Ericsson (Harp)
  • Notes: Skywalker Sound, Nicasio, CA (02/13/2003-02/14/2003)
  • Running Time: 1 min. 51 sec.
  • Period Time: Modern
  • Written: 1919

>Carlos Salzédo (Composer) (1885 - 1961) : Preludes Intimes, pieces (5) for harp :: Dreamingly
  • Performer: Sarah Ericsson (Harp)
  • Notes: Skywalker Sound, Nicasio, CA (02/13/2003-02/14/2003)
  • Running Time: 2 min. 46 sec.
  • Period Time: Modern
  • Written: 1919

>Carlos Salzédo (Composer) (1885 - 1961) : Preludes Intimes, pieces (5) for harp :: Procession - like
  • Performer: Sarah Ericsson (Harp)
  • Notes: Skywalker Sound, Nicasio, CA (02/13/2003-02/14/2003)
  • Running Time: 1 min. 39 sec.
  • Period Time: Modern
  • Written: 1919

>Carlos Salzédo (Composer) (1885 - 1961) : Variations on a Theme in Ancient Style, for solo harp, Op. 30
  • Performer: Sarah Ericsson (Harp)
  • Notes: Skywalker Sound, Nicasio, CA (02/13/2003-02/14/2003)
  • Period Time: Modern
  • Written: 1911